It is only a day since I wrote that I did not want to start reviewing anything, but this is a must…
I am about to speak about the first part of the major recording project belonging to the module Digital Studio Production. This was a collaborative project with my classmate Juan and consisted on recording two songs from the band Future Trad Collective (or more exactly two of their components and other featured guests).
During the preparations for the actual recordings I had the opportunity to revise the concepts learned along the semester within the studio. I had also the chance to research about microphone techniques of a wide range of instruments that otherwise I would hardly thought about, as for example the uilleann pipes.
The line up was different for each song and also the style of the music, having in common the celtic roots. The musicians were overdubbing every instrument, playing over programmed beats they brought as a guide and replacing them progresively with the recorded tracks. They were all fantastic and experienced musicians and also they were playing with different instruments and doing variations on the fly.
After three recording sessions we ended with a huge variety of instrument recorded: nylon string guitar, electric guitar, bass, mandolin, low whistles of different sizes, flute, vocals, kick drum, triangle, snare, shaker…
By the way, do you know what an ebow is? Well, I have to confess that I did not have a clue until this surprising device appears during the second recording session. The guitarrist take from his bag an small stapler-like electronic artifact that he used to get a really different sound from the electric guitar. A sound that I would describe as an hybrid between a synthetiser and a cosmic violin.
I had to say that the recording was a very interesting experience and that now I “only “ have a stereo mix and a 5.1 surround one left to do.